Kristen Stewart Celebrates Her Directorial Debut Premiere with Wife Dylan Meyer Standing Proudly Beside Her

27 October 2025

Kristen Stewart and Dylan Meyer on Oct. 26, 2025. Credit : Gilbert Flores/Variety via Getty

It was a defining night at the AFI Festival in Los Angeles when Kristen Stewart, dressed in a striking sheer maroon gown, walked the red carpet for the premiere of her directorial debut The Chronology of Water with her wife and producing partner Dylan Meyer at her side. The event, held October 26, marked not only Stewart’s transition behind the camera but also the publicly celebrated union of the couple who tied the knot in April.

For Stewart this film represents a bold artistic leap a screen adaptation of the 2011 memoir by author Lidia Yuknavitch in which a young athlete confronts trauma, addiction and self-discovery before reclaiming her voice through writing. Stewart, 35, assumes the roles of writer, director and co-producer; Meyer serves as a producer and creative co-architect of the project.

Their appearance together on this milestone night reflects more than the premiere of a film it reflects a partnership that intertwines life and art. Stewart and Meyer first met on a film set in 2013, reconnected years later, went public with their relationship in 2019 and became engaged in 2021. Only weeks ago they exchanged vows in a low-key Los Angeles ceremony.

The premiere atmosphere held a mix of prestige and intimacy: alongside the couple, stars such as Imogen Poots and Thora Birch joined the cast on the red carpet, offering support and marking the collaborative journey.

Stewart and Meyer’s stylistic choices for the night communicated dual themes of refinement and relaxed charisma. Stewart’s elegant, sculptural silhouette was paired with Meyer’s understated ensemble black tee and dark trousers projecting a blend of cinematic glamour and everyday authenticity. The choice of dress worn by Stewart echoed the emotional complexity of her film while Meyer’s look pointed to the behind-the-scenes strength of the producing partner.

Beyond the visuals the moment carries deeper significance. For Stewart it is a step into directorial territory a shift from her well-known acting career into authorship and creative command. For Meyer it is a celebrated role as collaborator, partner and producer. Their unified presence at the premiere symbolises a couple whose artistic and personal lives converge, each amplifying the other.

The advance buzz around The Chronology of Water was already building: its world premiere at the ⁠Cannes Film Festival in May received acclaim, and it is scheduled for limited release 28 December, with wider expansion planned in January.

In defi ning the night Stewart said that she had embraced a kind of vulnerability and risk that she considered essential to the project an acknowledgment of how directing demands different tools and sensibilities from acting. Meyer’s role, meanwhile, underscored how their creative alliance has matured into something none-of-the-two alone could have achieved.

What remains intriguing is how this shared milestone may mark the beginning of a new creative phase. With Stewart now put behind the camera and Meyer embedded as producer, the pair appear poised for future collaborations indeed viewers already anticipate the next project together: Meyer’s directorial debut The Wrong Girls, in which Stewart is cast.

For fans and industry observers alike the image of Stewart and Meyer side-by-side on the red carpet speaks volumes. It suggests a creative partnership grounded in trust, mutual respect and shared ambition. And it offers a reminder that premiere nights can hold far more meaning than gowns and cameras they can reflect life choices, shared trajectories and the power of aligning personal and professional worlds.